"How beautiful viiiiitaaaaa," I wonder if Lars von Trier, the Danish director superdiscusso, he's never gone to the streets center humming something. I think highly of no, and this "Antichrist" is its full confirmation.
premise that von Trier is a filmmaker who judge do with swinging. Many of his things have made me turn up their nose, I was more pleasantly surprised. But in one way or another, either with or reasoned with real chores perfectly skillful tricks scam, has always said something in a manner all his own without ever compromising.
The problem is that this "Antichrist" does not compromise the simple fact that there is nothing to break. Just another confirmation of the innate misogyny and negativity of the director.
All this accompanied by a vaginal penetration recovery in detail in the initial bw, talking animals that appear at random, penises that ejaculate blood (an indirect quote from I Cum Blood Cannibal Corpse?) And, last but least, un'autoinfibulazione exerted by the female protagonist (Charlotte Gainsbough). Never look a fluke as it was difficult at that time.
Maybe it's all part of a great philosophy that I have not been able to grasp. Maybe. But the reality is that to understand everything that I do not care.
I do not want to know why a fox suddenly says: "Chaos reigns." As I do not care to know the meaning inherent in the rain of acorns, or the act of a woman (hell, but if it is to appear naked for three quarters of the film could choose at least one more chick at this point) that removes the organ able to give her pleasure, or to understand that perhaps the incident seen at the beginning of film to a second viewing is part of a plan concocted by the evil woman, the true essence of evil according to the Danish.
This to me does nothing but part of it comes from nothing, and I leave this home comfortably. Because this film, I think, is nothing but nothing covered with blood, dirt and mental saws (but also physical ones go even worse) and give nothing, take nothing away.
Playing at the intellectual snob is of little value. Lars Von Trier has tried to make a fool of a huge number of people failing in the first place with me and then with molterrimi of the artistic committee of Cannes.
The only question that came to hand me over the the movie is this: the director hates all women regardless, or only one - which are then followed as a result all the others?
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