The two sisters Bae Soo-yeon Bae Soo-mi and are returning home after a long period of time spent in a mental institution (aka the asylum), where they were forced to stay after an accident, but will not be revealed if not to the end of the movie in the classic plot twist which is not surprising - players curious. Of course, their stay can not be quiet because the relationship with Eun-Joo, the new girlfriend of his father, are tense, while their parents seem to be totally absent from the life in the house. The classic ancient and repressed rage and then be unleashed in a classic final twist.
on Korean cinema can be said of everything but that is not visually stunning. And in fact, throughout its duration (115 mint), this Two sisters show staged a rare and well-balanced elegance. The images, supported by stunning photography Lee Mo-Game, look like paintings in motion. And the director Ji-woon Kim sliding scenes in an intelligent and capable of rhythm, thanks also the proper assembly of Lee Hyeon-Me.
The basic problem lies in the screenplay, written by the director himself. In addition to having a plot as seen and reviewed the ceiling of their room, it is increasingly ill-developed with the passing of minutes. The final alternative for many jocks (even them!) Found cryptic and incomprehensible, it may seem this not a particularly convoluted plot, or enlightening, but for a script that has more of a narrative rather big flaw - as well as a IQ underdeveloped subjects guilty of that assertion, and their total ignorance of Eastern culture spiritualist.
Which is bad, because the funny almond-eyed men take much consideration in their particular pantheon mythology ghost stories, and you could pull off in this case a real good story and well developed precisely because of its cultural origins. Or at least, far more interesting than many other gender.
Alas, that was it.
There is also the infamous remake dl 2009, The uninvited , brother of the Guard.
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